This is a revival based on the original drawings from the 1970s. Some stores bundle "Pro" and "W1G" together. As for language support, Neue Haas Unica has two versions, known as "Pro" and "W1G" (i.e., a pan-European version), the latter of which offers Greek and Cyrillic character coverage. It does not offer rounded dots, but does include small caps. The Euro sign in this version has horizontal terminals as in Helvetica and Neue Haas Grotesk.
The font family includes 9 weights in 1 width, with complementary italics, totalling 18 styles.
Neue haas unica github archive#
Neue Haas Unica (2014-2015) ĭesigned by Toshi Omagari for Monotype, this is a revival based on the Team '77's Unica phototypesetting files found in the Monotype's archive in Germany. Modern Revivals Unica Intermediate (Unreleased) Ĭreated by Louise Paradis, this revival was never publicly released. Unica SH has tighter letter spacing than Unica SB. However, it has been suggested that this typeface has two optical sizes, namely SB (Scangraphic Body designed for body text) and SH (Scangraphic Headline designed for headings and display). As the typeface is no longer legally available, its technical details have become unclear. Until 2008 there was a digital implementation available from Scangraphic in the fontstore of Elsner+Flake, but this implementation had to be removed from the market because Linotype claimed the copyright of the defunct Haas Type Foundry.
Neue haas unica github software#
Because of the rise of desktop publishing software and an ownership dispute, the typeface disappeared very soon from the market. The result was a hybrid of mainly Helvetica and Univers, which gave it the name Unica (a portmanteau of Univers and Helvet ica), but they incorporated also features of other typefaces, like Akzidenz-Grotesk. The task was given to Team ’77 (André Gürtler, Christian Mengelt and Erich Gschwind). During the 1970s Haas decided to introduce an updated version of Helvetica for electronic on-screen phototypesetting. Neue Haas Grotesk) and Univers were from then on held by the same company. The latter was the holder of the copyright of the Univers. In 1972 the now defunct Haas Type Foundry (Switzerland) bought its french competitor Deberny & Peignot. 2.4 Differences between Neue Haas Unica and Unica77.For over a decade web designers struggled to make gradients work, even going as far as relying on site-bloating transparent pngs as soon as CSS3 introduced gradient support in browsers, we embraced flat design. It’s a truth universally acknowledged, that we only want what we can’t have. Whilst Neue Haas Unica is beautiful in its own right, it evokes both the design of the 1950s, and the spirit of 1980s corporate America, but it does it so well, that it’s hard to see it working in any other context. Like an ad-exec who’s just bought his first pair of skinny jeans and started growing a beard, Neue Haas Unica may find that particular boat has sailed. It perfectly evokes modernism in fact it couldn’t be more mid-century modern if it were sat in a Knoll armchair, in a Frank Lloyd Wright office building, sipping martinis with Don Draper.Īnd that may be Neue Haas Unica’s single undoing.
Like its parents, Helvetica and Univers, Neue Haas Unica really excells at display sizes. It couldn’t be more mid-century modern if it were sat in a Knoll armchair, in a Frank Lloyd Wright office building, sipping martinis with Don Draper
0 kommentar(er)
